Saturday, March 30, 2019

History of Makeup in Film

History of constitution in FilmMakeup has been near and enduring changes since 3100- 2907 BC. Men and women in Egypt started with creams to keep their skin diff social occasion and glowing. Soon other countries started take a crapd their own form of opus. Makeup has been around for centuries and is solace widely ingestiond today.The egyptians used unlighted green simulations for eyeshadows and for mascara they would spirit eyelashes with kohl. Some durations they would use the kohl for eye originr. This kohl was actu all in all(a)y do from soot. In Rome they had the aforesaid(prenominal) ideas on how apply shitup provided the ways they did it were dangerous. The Romans believed that to be voluminous your skin had to be pale. To achive this look they would use chalk and even ovalbumin lead.Because these methods were so dangerous many women died due to lead poisoning it caused a lot of health problems such as whisker loss,stomach problems and d beath. nonethelesstua lly they started qualification diagnoseup products from natural food ing rosy-cheekedients. In the victorian era it was believed that if you were eating away penning thusly you were a prostitutes or actresses. Any heavy deliverup or even a slight color change in hair, they would be looked down upon.By this time makeup was evolving and people got jade of using harmful chemicals on their face. Women had stopped using kohl for their eyelashes and started using ardent wax and other oils. Instead of using flour to powder noses gunk Factor created a press powder around 1914.In need makeup actors would usually do their own makeup which caused them to just pinch anything. Most of the products they used contained lead and mercury. To get the desired look they would use an extremely heavy grease paint that was pink in color to re correct the lighting from the film equipment. If the paint was applied to gently the actors would look pale. To try to fight that they would also use bla ck and red liners to try to hollow reveal their eyes. They would sweat under all of those defy lights and every mark on their face would show. Max Factor and George West more than accomplished this was a problem so Max created a special charitable of grease paint that was a lighter product. You were able to build it up to however thick you wanted to and it hardly showed any harsh lines. He would set that grease paint with his pancake makeup which was really his impertinent pressed powder. They still used the red and black liners to hollow out their eyes.His pancake makeup was used in Vogues of 1938 and Goldwyns Follies. It was only used in movies but soon everyone was wearing it offscreen. Max Factor went on to create his beauty empire. He started making foundations, backtalksticks, eyeshadows, cheek tints etc. George Westmore went from a wigging maker to a makeup artist. George invented a lot of tips and tricks for cinema makeup. Even the invention of false lashes. George op ened a tiny makeup studio in 1917. He had big clients like Mary Pickford. He actually found a way to fake her curls everyday.Film makeup has non changed. They use safer materials that have actually been tested. Also, they have also gotten more creative. For eccentric they have been able to make rubber pieces to marry onto the skin and how to paint faces to look more like a character or a monster. Spirit gum was also introduced to the makeup world along with latex paint. The latex works great for making small wrinkles. Lon Chaney used to use fit out and toilet paper to curve his nose up for one of his roles. It was a very dangerous way to curve his nose because the telegram would make his nose bleed.The first time that horror makeup was used in a movie was Nov. 30th in 1925 with the Phantom of the Opera. In regularize to get the makeup effect, Lon Chaney would localize his wig on along with a prosthetic piece for his forehead. He used black shadow for the underneath his eye to make it look like his eye was pulled down with a little bit of white on his bottom lash line to make the eye appear bigger. Also, he used a seek skin material and chewing gumd it down with spirit gum. They tried to glue his nose down with just spirit gum but it would forever and a day fall back down. They had wires running from his nose into his wig piece and the wire was desexualised with the fish skin. They also had little wires for his mouth. His face had little tiny wrinkles all over the place white and black makeup was used to make him look a bit deadish. Then the last step was to give him new teeth to complete the look.In 1935 The Bride of Frankenstein was the next movie to use special effects makeup. Normally actors would do their own makeup but for this movie they brought in a makeup artist named jacks P. Pierce. Jack created two scars under her chin that went into her hair. The scar making process took more or less an hour. They covered her face with foundation lips tick and false eyelashes. Then for her hair they just combed her hair upwards onto a little batting cage and added grey streaks. The creature of the Black Lagoon in 1954. The costume was made from molded rubber sponge.In 1973 The Exorcist used some behavior of forehead piece. They covered up her eyebrows. Also, they used latex to create the cuts on her face and a little bit of bruise colors around her face to make her look possessed with the help of contacts. To create the throw they used pea soup.In 1977 The Incredible Melting Man came out. For this makeup look they gave the actor an oversized helmet that they painted to look skeletal then with a flesh tone. Then they would put syrup and paint all over the mask. Each take they would have to apply more and more so it would look fresh.Next is Alien from 1979. For this movie they used a soft modeling material and snake vertebrates. Also, they used cooling tubes from a car. In 1984 Nightmare on Elm Street became popular because of F reddys destroy across his face. To create these burns the makeup artist used single pieces to lay on the actors face. First, he started off by securing a denuded cap on with spirit gum then latex. Then had to stop out the eyebrows and his beard with a glue stick so the prosthetic pieces would not get stuck to the hair when he glued them down. He put the head piece on first, then the neck piece, he would secure the face piece and then the chin piece. All together in that respect was 11 pieces that were put on. The makeup took about three hours to put on and taking it off. When all of the edges were blended and secure he would go over all of the burns with red paint then very quietly with a white color. The face pieces were sculpted out of silicone so they wouldnt have to start from scratch each day.In 1990 Edward Scissorhands came out and they brought in a mechanic to work on his hands. For his makeup he has a pale shade on his face, the underneath of his eyes have dark bags and that behind be done with just a black eyeshadow thats piano dusted. For the cuts on his face a small layer of latex is all the sfx makeup this movie needed.In 2000 The X-Men was released. For Mystique they had a full body meander to sculpt the 110 pieces. About 60% of her body was covered in prosthetics. They did plaster casts of mostly all of the cast members. Also, they did casts for Wolverines hands. The makeup took around heptad hours for just Mystique.2004 Hellboy was released. The makeup for Hellboy took four hours. First they used all fizz pieces. They applied his back piece and put it over his head to attach to his chest. The last pieces that were applied were the facial prosthetic pieces that only left his pooh-pooh lip. He was then painted all red.They would attach the lower lip part right before they started filming so he could eat or drink.Special effects makeup has gotten more advanced as the time goes by. The artist like a shot have the choice to make prostheti cs to make their job easier. The variety of makeup choices are larger. For example airbrushing in now a possibility. Instead of having to hand paint all of the prosthetics, it takes less time to airbrush than to paint every individual piece. Once youre done airbrushing you can spend more time focusing on the more beta details.

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